How the Catholic Church was saved by art!

There are few books published today that pay homage to the artists and their works as they are contained in Catholic Churches throughout the world. Even more uncommon is one that combines reflections on art and beauty and their roles in defending Catholicism in the Counter-Reformation. Well, the work by Elizabeth Lev, How Catholic Art Saved the Faith: The Triumph of Beauty and Truth in Counter-Reformation Art accomplishes all these things.

Elizabeth Lev’s book explores the way the Catholic Church was saved through the efforts of artists and theologians to define the faith during the period of the Counter-Reformation, which was a period of religious upheaval and turmoil throughout the world. This book is a superlative work of scholarship investigating the many messages artists communicated to the Catholic faithful through their many works of spectacular art which was intended to uphold teachings of the Catholic faith on subjects such as the Eucharist, the Sacraments, Mary as the Mother of God and even the dignity of women during the Reformation.

Each chapter of the book utilizes significant works of art to explain Catholic teachings and elaborates on the individual artists that worked in conjunction with the Church to reaffirm the Church’s faith as polemicized through their artistic works.

This work by Elizabeth Lev is one that should be embraced by not only Catholic faithful but art historians, students and those that desire to comprehend the relationship between the notions of beauty and truth as they are reconciled to faith in the doctrinal principles of Catholicism. The book’s author provides artistic examples of great works of art in order to further advance one’s understanding of the artist’s great talents that communicated the Catholic faith during a time of religious upheaval after Martin Luther’s break with Rome.

This book is well written and is indicative of scholarship in redacting the relationship between beauty and truth in relationship to the Catholic Church and the preservation of religious principles after the start of the Reformation. Elizabeth Lev keenly and concisely invites the reader to explore the works of various artists and how their works preserved the Church and continued to communicate the Church’s message in a historical period when conventional methodologies of transmitting the faith were shattered by the events that gave rise to Protestant denominations after the inception of the Reformation.

Students, artists, historians and those who wish to explore the relationship the Church has with the arts should make this book a part of their personal collection of definitive books worth having. This work is clear, concise and an effective work that explains great works of art with a theological and sociological application that links these great works of art with the teachings of the Catholic Church.

The book is available from Sophia Institute Press, http://SophiaInstitute.com The cost is $14.99

Got art? An important questions for Catholic parishes.

   Saint Pope John XXIII, multi-color bronze, executed by Sondra Jonson, Cambridge, Nebraska

Often when we attend Mass at our local Catholic churches in the United States we are greeted with many works of art that have been created on a massive scale, designed for inclusion into our Churches with little concern for the unique artistic needs each parish might need or want.

Quite often, pastors and administrators of our Catholic parishes look upon the need for artistic expression as merely utilitarian tools that decorate open spaces in the local church. Such an attitude is unfortunate simply because the need for qualitative art in our Catholic sacred spaces is intrinsically a critical component towards restoring an understanding of transcendence in the way we celebrate Eucharist and all our Sacraments as Catholics. 

Coupled with the need for art in our parishes, Catholics need to demand that the artistic wor

ks that are displayed in their parishes are of the highest artistic quality that the local parish community can afford as well as having the works commissioned by an artist from the United States. Traditionally, many parishes purchase statues and other artistic pieces from catalogues that procure their artwork from China or Italy. American Catholic Churches need to foster artistic development in the United States and then commission artistic works from those in the United States whose very vocations are focused on the sacred arts. We are not an Italian Church, nor one in China. The practice of ordering devotional works of art from catalogues that procure mass produced works of art are over. If indeed we truly want to celebrate the arts in the American Catholic Church, we need to celebrate the talents of the vocational liturgical artist. 

There are highly qualified liturgical artists throughout the United States and they are not always sought out for their talents because it is a common misconception that commissioned works of art are always more expensive than purchasing, “off the rack,” works of art from the catalogues. Such misconceptions are wrong and whenever a parish community is even considering new sacred art for their parish church there are dozens of options throughout the United States with devoted and viable artists that are deeply committed to both the Catholic faith and their talents as Catholic artists.

As a collective Catholic Church in the United States there are many examples of artistic works that have been purchased in the past one hundred years that are terrible examples of what good art in our churches should be. Mass produced works of art, like what I often term, “salt and pepper statues of Mary and Joseph,” dot the ecclesiastical landscape and they should be retired from our Catholic sacred spaces. 

Experienced Catholic artists are quite capable of expressing their talents in various mediums, bronze or canvas, mosaics or wrought iron, there are capable artists that will fulfill all the parish’s needs when it comes to replacing pieces of worn art in the parish or creating new works of art as well.

Qualitative art signifies the commitment of quality in the way are churches are designed, constructed and maintained as the place where we meet God and celebrate the transcendence of greatest mysteries of our Catholic faith. Representational art in our Catholic parishes invokes the realities of the saints we commemorate and invoke as we journey together in faith towards our mystical reunion with God in eternal life. 

While the liturgical renewal of the 1970’s often resulted in the destruction of many pieces of art in our Catholic parishes, we now need to restore and renew our tasteful understanding of the place art has in the history of Catholicism. As we seek to appreciate the role of the fine arts in our celebration of the Sacraments, the time is now to develop strong relationships with the many vocational artists in the United States that are devoted to not just their expressions of art, but to the Church as well.

If your parish is in the process of commissioning new pieces of art, stained glass, statuary or any other significant form of artistic expression for your parish church please look towards utilizing the local artist for those works. Parishes will find that the misconception of commissioned art is more expensive is one perpetrated by those that wish to continue the terrible practice of ordering, “off the liturgical rack,” and they have not done any exploration of local Catholic artists. 

Renew, restore and in some cases replace artistic pieces of art that no longer deserve a place of prominence in our Catholic sacred spaces. Look to American liturgical artists to decorate and adorn our Catholic Churches, it is good for your parish’s budget, good for local artists and especially good for all our souls when we celebrate the role of art as part of our Catholic heritage. 

Art doesn't make us holy but it does help us get get closer to God through the imagery it portrays.

Sacred Art & Architecture...time for a Renaissance in the United States!

There is a need in the United States to cultivate and develop a foundation that nurtures and develops an artistic community that is attuned to the needs of the Catholic Church and its traditions. There are many examples of artists that are producing pieces of art for installation I Catholic Churches that are not indicative of the beliefs of the Catholic Church, are not reflective of the high standards of artistic quality which is required of sacred art and promotes a culture of artists that specialize in disposable art, which will not withstand the longevity of the Catholic Church.

The Fathers of the Second Vatican Council demanded that each episcopal conference in countries throughout the world establish a school that encouraged and enabled the development of qualitative sacred art by fostering all aspects of the artistic endeavors that were compatible to the needs of the Catholic Church’s sacred liturgies and most importantly the architectural requirements that determined the proper execution of a Catholic Church as a place of worship and sacramental celebration. To date, such an institution for the development of the sacred arts has yet to take place even though we are more than half a century since the close of the Second Vatican Council.

The United States has quite a few artists and artisans that can fulfill the needs of producing sacred art that deserves a prominent installation in our Catholic churches. Unfortunately, most of the American clergy have fallen into the trap of purchasing mass produced pieces of art from workshops in Italy and China that are not reflective of the qualitative works of American artists and reflective of the unique characteristics that make our American artists and artisans the real value added choice when it comes to commissioning original works of art for inclusion in our Catholic churches, the central places of our worship and sacramental life.

My intention is to establish a non-profit foundation for the Sacred Arts and Architecture that would permit artists and artisans the opportunity to utilize the foundation as a place through which they are able to display their works and negotiate with potential clients in the ecclesiastical field regarding commissions for their works and also to provide a national network of like-minded professionals that would make qualitative Sacred Art and Architecture the central focus of their professional careers both as vocational artists and faithful Catholic Christians.

Representational art in religious spaces, especially Catholic Churches should reflect the highest qualities of materials and resources that are available to vocational artists as they attempt to engage with the Divine Sacred through the manifestations of their artistic qualities and labors. Mass produced works that continuously copy and distribute images of saints, martyrs and other imagery is not what the Fathers of the Second Vatican Council envisioned when they called for the establishment of an institute of sacred art and architecture within each episcopal conference. Their intention and vision was to establish a Renaissance in the multifaceted expressions of the vocational artist that would serve the needs of the Catholic Church with qualitative artistic representations of sacred art that challenged both the artist and the faithful community to transcend through artistic expression towards a deeper and more intimate understanding of God as manifested in the community of the Catholic faith.

Artists and artisans of all types that choose to work in the sacred arts are called to a vocation to share their God given artistic talents with the community of faith, the Church of which they are faithful members and admirable contributors through their artistic talents. The time has come to demand that our Catholic Churches include artistic works of the highest quality of materials, executed by vocational artists that are motivated by their deeply seated understanding of the Catholic faith that is expressed uniquely through the, “artist’s eye,” which gives glory to God through various mediums, bronze, marble, oil paintings, tapestries and architectural designs that are conducive to evangelizing the Word through the activities of the Church.

The Foundation of the Sacred Arts and Architecture will solicit artists throughout North America to participate in educational activities to encourage parishes to embrace the sacred arts as part of the proper celebration of the Catholic liturgy, which is indicative of the hopes and aspirations of the People of God, which is not just the Catholic Church, but all denominations that seek a relationship with the divine and deepen their understanding of faith in the modern world.

In addition to providing a source of education for artists to share their experiences, the Foundation will function as a referral source for all of the artists that wish to belong to the Foundation, so their works are more widely disseminated throughout the United States and will hopefully provide a network that assists the vocational artist in attaining commissions for their works through architectural firms, dioceses and archdioceses, parishes and religious communities that are contemplating a commission of a new work of art for their respective communities, or are determined to build a new church, renovate an existing parish church or just simply want to add an original piece of art to their Catholic faith community.

In the modern world of consumerism and mass production, sacred art does not have a place. Sacred Art transcends the mundane realities of the often-ugly aspects of the modern world, conjoined with the misnomer of utilitarianism, and provides all of us an opportunity to peak into the world of God, the sacred space to which we all aspire through our common Catholic faith to someday be residents of God’s eternal community. Our Catholic Churches deserve and should demand original works of art that celebrate our faith. They should be reflective of the local community, be unique and most importantly have a real sense of permanence, made from noble materials that will withstand the test of time and are not predetermined for replacement within 20 years because of the inferior qualities of their materials

It is a daunting task to initiate a Foundation of the Sacred Arts and Architecture without assistance and counsel. In the past week, it has been my pleasure to consult with many experts that are adept in the legal ramifications of such a foundation, artists that are positive that such a foundation will be successful in its purpose and longevity and finally have had sound spiritual counsel that has firmly assured me that this is a vocational step that is one I need to take.

In closing, I appeal to fellow Catholics and indeed all Christians that are interested in the establishment of a Foundation of the Sacred Arts and Architecture to reach out to me and let me know their thoughts and opinions on the matter. Additionally, I offer an invitation to vocational artists that specialize in the execution of the sacred arts and architecture to contact me so I might share the vision of what the Foundation entails.

Finally, the process of preparing a 501 (c) 3 Corporation is in process. With that said, it is also essential that individuals that are willing to support such a Foundation touch base as well so we might properly fund and establish an institution that is commensurate to the great task at hand, namely the commissioning of sacred art that glorifies the faith, our Church and most importantly our ever loving God, as revealed through the Word, Jesus Christ.